2006.07.19: July 19, 2006: Headlines: Figures: COS - Malawi: Writing - Malawi: LA Weekly: Susan Zakin writes: Paul Theroux is most unwilling to let Greene be Greene
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2006.07.19: July 19, 2006: Headlines: Figures: COS - Malawi: Writing - Malawi: LA Weekly: Susan Zakin writes: Paul Theroux is most unwilling to let Greene be Greene
Susan Zakin writes: Paul Theroux is most unwilling to let Greene be Greene
As Theroux points out, a writer intimate with a place will write one book; a writer enthralled by the shock of the new will produce another. Just as the expansion of global trade, including the slave trade, produced a commercialization of the exotic in the 18th century, so the current wave of globalization has produced a similar fad for the exotic in our time. Only now the exotic must have the stamp of authenticity. It is not enough to be a weedy British fellow traveling in Africa. One must have the inside dope, or better still, be African oneself, whether white or black. Author Paul Theroux served as a Peace Corps Volunteer in Malawi in the 1960's.
Susan Zakin writes: Paul Theroux is most unwilling to let Greene be Greene
Not-So-Innocent Abroad
Rediscovering Graham Greene’s lawless roads and mapless journeys
By SUSAN ZAKIN
Wednesday, July 19, 2006 - 12:00 pm
A new generation has become familiar with Graham Greene’s fiction because of the recent films based on his novels The End of the Affair and The Quiet American, but his nonfiction has just as much profundity and panache. This summer, Penguin reissued two works of nonfiction by Greene, both of which in certain respects feel more contemporary than his fiction. Journey Without Maps is an account of the first trip Greene made to “a blank spot on the map,” in this case, the West African bush. The Lawless Roads is about his next adventure, to southern Mexico in the 1930s after the government had outlawed Catholicism.
[Excerpt]
Paul Theroux is most unwilling to let Greene be Greene. With the didacticism of the Peace Corps volunteer he once was, Theroux accuses Greene of clinging to boys’ adventure stories in his rendering of West Africa. “This fanciful supposition of the heroic-romantic in a pith helmet, that l’Afrique profonde contains glittering mysteries, is one of the reasons our view of Africa has been so distorted,” he complains in his introduction to Journey Without Maps.
Yet it is Theroux himself who seems prey to a boy’s idea of adventure. He mocks Greene for traveling to West Africa with his 24-year-old cousin Barbara, who made it through the grueling trip in fine health and decent spirits. Worse still, he accuses Greene of choosing Barbara either because he was having an affair with her or because a male companion might have pointed out his inadequacies as an expedition leader. As if a woman wouldn’t?
In fact, what’s refreshing about Greene in our era, in which the hairy-chested tale of adventure remains a publishing staple, is that he remained the awkward boy who shirked “sport” at public school. His sensitivity serves him well as a not-so-innocent abroad. In Journey Without Maps, Greene’s portraits of his Sierra Leonean porters are true in their detail and deeply touching, made more so by his acknowledgment of the sometimes-cruel mistakes he made because of his inexperience.
As Theroux points out, a writer intimate with a place will write one book; a writer enthralled by the shock of the new will produce another. Just as the expansion of global trade, including the slave trade, produced a commercialization of the exotic in the 18th century, so the current wave of globalization has produced a similar fad for the exotic in our time. Only now the exotic must have the stamp of authenticity. It is not enough to be a weedy British fellow traveling in Africa. One must have the inside dope, or better still, be African oneself, whether white or black.
Greene himself wrote a preface to accompany the second edition of Journey Without Maps after he had returned to live in Sierra Leone while working for British intelligence in the 1940s. His feelings about the country had changed, he noted, and he expressed some misgivings about his portrayal of the place, but he noted that fallacies arise just as prolifically from a close acquaintance with a place. He let the earlier work stand.
It seems ironic that rigid adherence to political correctness emphasizes the differences between people, sometimes to the exclusion of the common experience of being human. Greene was a good enough writer, and a good enough reporter, to render both with art and precision. At the end of Journey Without Maps, he wrote: “But what had astonished me about Africa was that it had never been really strange... The ‘heart of darkness’ was common to us both.”
When this story was posted in July 2006, this was on the front page of PCOL:




Peace Corps Online The Independent News Forum serving Returned Peace Corps Volunteers
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Story Source: LA Weekly
This story has been posted in the following forums: : Headlines; Figures; COS - Malawi; Writing - Malawi
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