2009.11.06: While working as a volunteer in the village of Zebilla, which is located in northern Ghana, former Peace Corps volunteer Luke Bassuener was introduced to local musicians by some of his students
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2009.08.18: Peace Corps Volunteer Luke Bassuener used his portable four-track recorder to document obscure musicians from around the country's Bawku West District playing in different local traditions :
2009.11.06: While working as a volunteer in the village of Zebilla, which is located in northern Ghana, former Peace Corps volunteer Luke Bassuener was introduced to local musicians by some of his students
While working as a volunteer in the village of Zebilla, which is located in northern Ghana, former Peace Corps volunteer Luke Bassuener was introduced to local musicians by some of his students
Serving as translators, the students received authorization to have this music recorded on a four-track recorder owned by Bassuener. Employing his portable recorder to capture many of the country's musicians around the Bawku West District, these were moments portrayed in churches, in street markets and everywhere else under the sun. A few years later, some of the music from the sessions was used by Bassuener's own band, This Bright Apocalypse. And after returning for more charity work in the summer of 2008, Bassuener recorded all of the music to make Bawku West Collective Volume 1. All proceeds benefitting these tremendous musicians and their families, the music amassed for this compilation, while uneven at times, is a worldly special kind.
While working as a volunteer in the village of Zebilla, which is located in northern Ghana, former Peace Corps volunteer Luke Bassuener was introduced to local musicians by some of his students
Various Artists Bawku West Collective Volume 1
November 6, 2009 by Bryan Sanchez
Category: Albums (and EPs)
Various Artists Bawku West Collective Volume 1
Various Artists Bawku West Collective Volume 1
While working as a volunteer in the village of Zebilla, which is located in northern Ghana, former Peace Corps volunteer Luke Bassuener was introduced to local musicians by some of his students. Serving as translators, the students received authorization to have this music recorded on a four-track recorder owned by Bassuener. Employing his portable recorder to capture many of the country's musicians around the Bawku West District, these were moments portrayed in churches, in street markets and everywhere else under the sun.
A few years later, some of the music from the sessions was used by Bassuener's own band, This Bright Apocalypse. And after returning for more charity work in the summer of 2008, Bassuener recorded all of the music to make Bawku West Collective Volume 1. All proceeds benefitting these tremendous musicians and their families, the music amassed for this compilation, while uneven at times, is a worldly special kind.
For Bawku West Collective, The Saka Boys play major roles on the compilation's bursting style. "Young Boy Take Time" is something of an improvised chant that features singing in the form of energetic shouts and the town's own unique instrumentation. While the instruments may not be common to people on this side of the hemisphere, even when the percussion is performed by shaking strums on drums, it always appears tremendously impressive. Later, on "Let's Go Tomorrow," the music's frenetic and upbeat pace creates an uprising of tenacity and push that never lets up.
Ranging from clattered drums that sound as if they were playing down the block, at the corner near the stop sign, to afro-dub that recalls some of Africa's richest history, to the Mali Blues that has become a standing point for Kusaasis alike, Vol.1 feels like a deep look into the depths that music can reach. Bassuener's take on the subject always feels like one of his importance. His reach is far and while he takes every step necessary to allow the music to feel varied and substantial, his own touches make for exciting listens.
Bassuener opted to record the music on humble equipment that allowed it to sustain its low fidelity settings. Back at home, he would add the layers of drums and some guitars while always leaving the focus straightly on the sounds of the people chattering about in the background. On the challenging "Ghana," the Savanna Drummers Club brings pounding drums and choir-like vocals to the front. But underneath it all is a gently strummed guitar that provides a terrific melody. It's these kinds of homely decorations that stir the pot in the best of methods, never comprising the integrity of the musician's ability.
DJ Bones makes appearances on many of the song's opening moments, serving as the introduction to give the artist's names. On album closer, "Yela Be Wusa," he playfully sings along before getting out of the way for the album's best melody. The St. Charles Lwanga Choir, in one of the album's best moments of beautiful life, lifts their voices to the skies with a touching amount of passion. For a compilation that is only out there for the greater good, there is no better fitting ending: sincere, earnest and touching, it's a stellar end to an all-around fine benefit.
Links to Related Topics (Tags):
Headlines: November, 2009; Peace Corps Ghana; Directory of Ghana RPCVs; Messages and Announcements for Ghana RPCVs; Music
When this story was posted in April 2010, this was on the front page of PCOL:
Peace Corps Online The Independent News Forum serving Returned Peace Corps Volunteers
| Memo to Incoming Director Williams PCOL has asked five prominent RPCVs and Staff to write a memo on the most important issues facing the Peace Corps today. Issues raised include the independence of the Peace Corps, political appointments at the agency, revitalizing the five-year rule, lowering the ET rate, empowering volunteers, removing financial barriers to service, increasing the agency's budget, reducing costs, and making the Peace Corps bureaucracy more efficient and responsive. Latest: Greetings from Director Williams |
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Story Source: Adequacy
This story has been posted in the following forums: : Headlines; COS - Ghana; Music
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