2009.07.03: July 3, 2009: Headlines: Figures: COS - Peru: Art: Murals: Painting: Urban Renewal: Documentaries: Boston Globe: Jeremiah Zagar doesn't sugarcoat his father's infinite narcissism and social eccentricities, but he paints a tender and sensitive portrait of a modern-day Don Quixote trapped in his own grand, wifty delusions
Peace Corps Online:
Directory:
Peru:
Special Report: Artist and Peru RPCV Isaiah Zagar:
2009.07.03: July 3, 2009: Headlines: Figures: COS - Peru: Art: Murals: Painting: Urban Renewal: Documentaries: Boston Globe: Jeremiah Zagar doesn't sugarcoat his father's infinite narcissism and social eccentricities, but he paints a tender and sensitive portrait of a modern-day Don Quixote trapped in his own grand, wifty delusions
Jeremiah Zagar doesn't sugarcoat his father's infinite narcissism and social eccentricities, but he paints a tender and sensitive portrait of a modern-day Don Quixote trapped in his own grand, wifty delusions
Isaiah looks like a mad prophet, with his furrowed face and woolly beard. He spouts lofty pronouncements about art and life and his quest for creative glory. "I was his reality base,'' says Julia, Isaiah's sweet, earthy wife of 43 years. "And he was my bird. He flew around.'' But the whimsical plot darkens as Ezekiel, their moony eldest son, wrestles with drug addiction, and Isaiah reveals that he has been having an affair with his assistant. Jeremiah Zagar captures some remarkably intimate footage. We see Julia's eyes brim when she learns of Isaiah's infidelity, and we hear Isaiah lash out at his mistress in a moment of scathing regret. Artist Isaiah Zagar served as a Peace Corps Volunteer in Peru in the 1960's.
Jeremiah Zagar doesn't sugarcoat his father's infinite narcissism and social eccentricities, but he paints a tender and sensitive portrait of a modern-day Don Quixote trapped in his own grand, wifty delusions
In a Dream
An artist's life in mosaic
The quixotic life story of mosaic artist Isaiah Zagar (above) is told in his son Jeremiah's film. The quixotic life story of mosaic artist Isaiah Zagar (above) is told in his son Jeremiah's film. (Indiepix Films)
By Laura Bennett
Globe Staff / July 3, 2009
The streets of Isaiah Zagar's South Philadelphia neighborhood are flush with mosaic: giddy sweeps of tessellated color that swallow whole stretches of wall. For decades, Zagar has blanketed surfaces with tiles, mirror shards, glasswork, bicycle spokes - explosive constellations unfurled from a delirious brain. "In a Dream,'' a documentary directed by his youngest son, Jeremiah, is a love story between a man and his art, a man and his wife, and, in a way, between father and son. Jeremiah Zagar doesn't sugarcoat his father's infinite narcissism and social eccentricities, but he paints a tender and sensitive portrait of a modern-day Don Quixote trapped in his own grand, wifty delusions.
Isaiah looks like a mad prophet, with his furrowed face and woolly beard. He spouts lofty pronouncements about art and life and his quest for creative glory. "I was his reality base,'' says Julia, Isaiah's sweet, earthy wife of 43 years. "And he was my bird. He flew around.'' But the whimsical plot darkens as Ezekiel, their moony eldest son, wrestles with drug addiction, and Isaiah reveals that he has been having an affair with his assistant. Jeremiah Zagar captures some remarkably intimate footage. We see Julia's eyes brim when she learns of Isaiah's infidelity, and we hear Isaiah lash out at his mistress in a moment of scathing regret.
Through it all, Isaiah sketches Julia's face compulsively in his notebook and paints her name on the tiles in his garden. And when Ezekiel returns from rehab, Isaiah says, "No matter what happens to Zeke, he's part of my art world.'' Even his loved ones are bright trinkets in the landscape of his imagination.
With his mosaics, Isaiah dismantles reality, then reassembles it in vivid hues and swirling shapes. It's an apt, eloquent metaphor that needs no amplification or embroidery. Yet when Isaiah confesses to suicide attempts and childhood molestation in scenes punctuated with footage of shattering glass and splintered tile, the analogy begins to feel a bit belabored.
Still, the sheer visual impact of "In a Dream'' is breathtaking. The film coasts on the dizzy scale of the artwork, its kaleidoscopic colors, the stunning time-lapse shots of mosaics in bloom. Charming animation adds to the sense that Isaiah's inner life is one elaborate hallucination.
In the end, Isaiah's mania is absolute, his delusions unscathed. There is no moment of reckoning or tragic clash with the real world. As Julia and Isaiah wander through an abandoned warehouse in a final scene, our eye follows the gutted ceiling, the sprawl of the blank walls. "You need to think about what it could be,'' Isaiah says. And we do.
Laura Bennett can be reached at lbennett@globe.com.
Links to Related Topics (Tags):
Headlines: July, 2009; RPCV Isaiah Zagar (Peru); Figures; Peace Corps Peru; Directory of Peru RPCVs; Messages and Announcements for Peru RPCVs; Art; Murals; Painting; Documentary Films; Pennsylvania
When this story was posted in August 2009, this was on the front page of PCOL:
Peace Corps Online The Independent News Forum serving Returned Peace Corps Volunteers
| Director Ron Tschetter: The PCOL Interview Peace Corps Director Ron Tschetter sat down for an in-depth interview to discuss the evacuation from Bolivia, political appointees at Peace Corps headquarters, the five year rule, the Peace Corps Foundation, the internet and the Peace Corps, how the transition is going, and what the prospects are for doubling the size of the Peace Corps by 2011. Read the interview and you are sure to learn something new about the Peace Corps. PCOL previously did an interview with Director Gaddi Vasquez. |
Read the stories and leave your comments.
Some postings on Peace Corps Online are provided to the individual members of this group without permission of the copyright owner for the non-profit purposes of criticism, comment, education, scholarship, and research under the "Fair Use" provisions of U.S. Government copyright laws and they may not be distributed further without permission of the copyright owner. Peace Corps Online does not vouch for the accuracy of the content of the postings, which is the sole responsibility of the copyright holder.
Story Source: Boston Globe
This story has been posted in the following forums: : Headlines; Figures; COS - Peru; Art; Murals; Painting; Urban Renewal; Documentaries
PCOL44478
91